History of Art and Visual Culture
2014-15 General Catalog
D-201 Porter College
(831) 459-4564
havc@ucsc.edu
http://havc.ucsc.edu
Program Description | Course Descriptions
Faculty and Professional Interests
Professor
Harry Berger Jr., Emeritus
Martin A. Berger
Gender, race, and representation in U.S. culture
Raoul Birnbaum,
Buddhist studies, especially Chinese practices from medieval times to the present; religion and visual culture in China
Elisabeth Cameron, Patricia and Rowland Rebele Chair in History of Art and Visual Culture (2008-2014)
Visual cultures of Central Africa, issues of gender, post-colonialism, iconoclasm
Carolyn Dean
Cultural histories of the native Americas and colonial Latin America
Jennifer A. González
Contemporary theories of visual culture, semiotics, critical museum studies, photography, public and activist art in the U.S.
John Hay, Emeritus
Virginia Jansen, Emerita
Jasper A. Rose, Emeritus
Catherine M. Soussloff, Emerita
Associate Professor
Maria Evangelatou
Medieval visual culture with emphasis on Byzantium and its periphery; manuscript illumination, Marian cult and iconography; ancient Greek and Roman visual culture; Islamic visual culture; gender studies
Donna M. Hunter
European painting (especially French) from 1600 to the 1960s; German art and visual culture between the two world wars; art as social practice; portraiture; monuments, counter-monuments, and anti-monuments
Stacy L. Kamehiro
Visual cultures of Oceania; colonial cultures; visual culture ad identity; gender studies; museums and collecting; material culture
Assistant Professor
Boreth Ly
Visual cultures of Southeast Asia and its diaspora: religions and materiality, theory of visual narrative, the politics of cultural translation; (post) colonial and cultural studies; issues of gender, sexuality, race, and trauma
Derek Conrad Murray
Theory and criticism of contemporary art, cultural theory, identity and representation, art of the African diaspora, popular visual culture, contemporary photography, and the ethics of art history and visual studies
Albert Narath
Modern and Contemporary architecture and design; environmental history, theories of technology, historiography of modernism, anthropology and architecture
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Professor
Karen Bassi (Literature)
Greek and Latin literatures; gender; literary and cultural theory; pre- and early modern studies; historiography; visual and performance studies
James Clifford (History of Consciousness,Distinguished Professor Emeritus)
Anthropology, indigeneity, museum studies, exoticism
Shelly Errington (Anthropology )
Globalization of folk art, visual and social semiotics, photography, film, the Internet and digital media, Southeast Asia, and Latin America
Kathy Foley (Theater Arts)
Southeast Asian drama and dance; puppetry
Dianne Gifford-Gonzalez (Anthropology)
Zooarchaeology, African archaeology, pastoralism, colonial New Mexico, interpretive theory, visual anthropology, emergence of pastoralism in East Africa; foodways as cultural practices in colonial encounters
David Marriott (History of Consciousness)
Literary theory, psychoanalysis, black cultural theory and philosophies of race, literary and visual cultures of modernism
Warren Sack (Film and Digital Media)
Theory and practice of digital media, software design and media theory
Shelly Stamp (Film and Digital Media)
Silent cinema, female filmmakers, film censorship, histories of moviegoing, early Hollywood
Associate Professor
Noriko Aso (History)
Japanese history, cultural studies, gender and history, race and ethnicity, colonialism, nationalism, Korean history, and popular culture
Irene Gustafson (Film and Digital Media)
Producing across the boundaries between "theory" and "practice," non-fiction, gender and queers, production design
Peter Limbrick (Film and Digital Media)
Postcolonial and transnational cinemas, race, gender, sexuality, queer theory
Assistant Professor
Hunter Bivens (Literature)
Twentieth- and twenty-first century German literature, culture, and film, Marxism and critical theory, socialist realism and proletarian literature, modernism and left avant-gardes, novel theory
Christine Hong (Literature)
Asian American literature and cultural criticism; African American literature and black freedom studies; Korean diasporic cultural production; Pacific Rim studies; postcolonial theory; critical race theory; human rights discourse; law and literature; narrative theory; film and visual studies
Soraya Murray (Film and Digital Media)
New media art, theory, and criticism; visual culture including digital, film, video, and electronic games; theories of technology and globalization; media representations of technological and scientific advancement; representations of otherness, migration, citizenship
Revised: 09/01/14